Aneta Vašatová | Czech Republic

cyprus_1.jpg

Hello Aneta, thanks a lot for submitting your work to Women in Photography. Can you tell our readers a little bit about yourself and how you got into photography?
Hello, I am a photographer based in the Czech Republic. I graduated from Tomas Baťa University in Zlín ( The Czech Republic) in Advertising Photography. We learned how to use technology and cameras in a creative way, as well the theory of art and photography. In our faculty were lots of fashion, graphic and industrial designers - I collaborated with them on many projects. I guess that was the beginning of my experiments with mixing medias.

You submitted photos of your amazing project Recto Verso - „Imprinted“. There you print landscape on fabric and implement them to the real landscape.  How did you came up with this idea?
I was always interested in social and environmental engaged art. I believe that art and photography have power to highlight problems in an aesthetic way. I wanted to express my ideas about the relation between man and nature - it’s similarities and differences. So I came up with the idea of the Recto Verso project which means obverse and reverse sites of this relationship. It is divided into several phases and projects - where nature is involved in the process as well as technology. So „Imprinted“ is one part of this concept. I printed my personal landscape on fabrics and searched their characteristics. Then I installed them into different environments and explored the transformation of the context. Our identity is hidden and covered. Humans are partners of a nature not their enemies.

You combine photography with other artistic disciplines. Can you explain us something about your work process?
The process itself is more important than the final result. Speed and simplicity is the motto of digital cameras and mobile phones. Lots of theoreticians call photography almost dead. Photography has became a part of our everyday life - a part of consumption. These days we are surrounded by visual smog on social networks. For lots of people photography means only pressing the shutter. What disappears about photography is the process: long preparation, developing negative, enlarging etc.. Photographs lose their uniqueness and an emotional value. Pressing a shutter of digital camera is just the beginning of the process… Through duplicating prints, installations and other methods I am researching hidden potential of photography.

What is your goal with this project?
Through my project I want to highlight several environmental and social issues and approach them to people. I am very interested in public installations and exhibiting in public spaces because I believe that art can educate and enhance people. Not only small groups of art critics and artists - everyone who is willing to observe.


Your photos are very well composed. How did you cultivate your sense of composition?
For my project "Imprinted" I took all photographs during hiking. I took my camera, a tripod, all my fabrics and went to nature - sometimes alone, sometimes with a model. When I found a right place I took time to find good angles, positions and light. When I did self- portraits I used the self-timer. I was repeating this processas as long I was satisfied with the composition. 

Sometimes I had to stay covered, sometimes barefoot or without a jacket in the snow. I felt cold, itching by little branches. This physical aspect was almost a meditative process and very important to me, because I feel attached with the place I am working in.

What would be the best compliment you can get from the viewers of your pictures?
The best compliment would be if someone will be inspired by my work and I encourage him to do something on his/her own. I think its the greatest reward to see that somebody finds energy to do something or at least deeply think about it‚ because of your work. 

What do you enjoy most about being a photographer/ artist?
For me photography is not only a profession, business or specific education. It’s a lifestyle. As a photographer you’re looking at more details, relations between objects, people and situations. You are more attentive! Even observing shadows on a leaf or on the wall can give me great joy.

Tell us a bit about the photography scene in Czech Republic. Is there any work of female photographers you can recommend?
Czech Republic is full of talented contemporary photographers, as well in a past (Sudek, Drtikol ect.).  Lots of them are working abroad. A great documentary photographer Markéta Luskačová  is workingin London, because we the Czech Republic is a quite small market. I also can highly recommend wonderful Bára Prášilová who is working into creative fashion photography, as well as Bet Orten. One of the best Czech young photographers is Tereza Vlčková with very feminine and unique vision.

You can find more about the Recto Verso Project on Aneta's website: www.rectoversoproject.com